Indeed, through clear symbolism, Grande plays the role of an MK slave that is lost and trapped in a dissociative state to escape trauma. While there’s most likely a reference to the Manchester bombing in there, the video adds a deeper level of interpretation. The song refers to the aftermath of a sad and traumatic event, one that was so hard that there are “no tears left to cry”.
As if to confirm everything above, the video is replete with obvious MK symbolism. Now, one year after the attack, Ariana Grande has released No Tears Left to Cry. It does not store any personal data.Nearly all of the artists who performed at the Manchester One show have been featured on this site for their Illuminati symbolism. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. I’m lovin’, I’m livin’, I’m pickin’ it upĪin’t got no tears left to cry (so don’t cry) So I’m pickin’ it up, I’m pickin’ up (oh yeah) We’re out here vibin’, we’re vibin’, we’re vibin’Ĭan’t stop now, can’t stop so shut your mouthĪnd if you don’t know that now you know it, babe We’re way too fly to partake in all this hate They point out the colors in you, I see ’em tooĪnd boy I like ’em, I like ’em, I like ’em Pickin’ it up (yeah), pickin’ it up (yeah)
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